Accéder au contenu principal

Dak'Art 2018: Tribute to Wangari Maathai

On the occasion of the 13th Biennale of Contemporay art dubbed Dak'Art 2018, 04 Experimentalists members of Osmose-Culture's project named Scènes Expérimentales and 1 Guest Experimentalist decided to pay tribute to Wangari Maathai (1940–2011).
Wangari Maathai was a scholar, and an environmental and Human Rights Activist. In 1977, she founded the Green Belt Movement, a Non-Governmental Organization, which encourages women to plant trees to combat deforestation and environmental degradation. 
To date, the Green Belt Movement has planted over 50 million trees. In the face of regular opposition, she succeeded in deepening and expanding her engagement with local communities through an impressive network of regional and international alliances, which made the Green Belt Movement a model women’s organization. 
Increasingly aware that the environment was directly linked to issues of governance, peace and human rights, Maathai began to use her organization as a springboard in the struggle against abuses of power, such as land-grabbing or the illegal detention of political opponents. 
She was eventually elected as a Member of Parliament upon Kenya’s effective return to multiparty democracy in 2002, also serving as Assistant Minister in the Ministry for Environmental and Natural Resources.
In 2004, she was the first African woman to be awarded the Nobel Peace Prize. 

Here are the works of:
- Irène Gaouda
- Manfaust
- Keedi Hervey
- Delphin Néo
- Aby Diallo (Guest)

Presented at Dakar's Music School (EHA), opposite IAM Mermoz, in Senegal, with the effective contributions of:
- Ibrahima Thiam
- Audric Monteiro and the
- Collectif Arc-en-ciel Slam

Exhibition runs up to the 02 June 2018.
Click on Pictures below to view Album

Diversity. Installation by Irene Gaouda with additionnal art by Aby Diallo

Photography (Keedi Hervey)














Life cycle- Installation (IG)

Life Cycle- Installation (IG)

Life Cycle- Installation (IG)

Life Cycle- Installation (IG)

Life Cycle- Installation

Life Cycle- Installation

The guilty hand, by IG.

Life cycle- Installation

Life Cycle- Installation

Life Cycle- Installation

Life Cycle- Installation

Manfaust Explaining know-how

Famous saxophonist Alain Oyono, grabbing a pic of Manfaust's work

Manfaust explaining know-how

Delphin Neo, President of Osmose, to stress the need to work on the ecological size of african art

Komol Sipora, expresses feelings during exhibition tour

More explanations...

Feelings...

Feelings....

Feelings....

Emotions....

Arc-en-ciel Slam...

Cuties appreciations IG's framed work

Why we believe nature must be preserved from wood hunters...

Marie-Pierre....attentive to the artists messages

Aby Diallo and Delphin Neo, in close discussion

Irene & Sipora...

Arc-en-ciel's message to mother nature

More of Arc-en-ciel's slam

We must not destroy this nature's gift !

Marie-Pierre, Irene and Diamant the Poet

Nice and Diverse

All is good...

That ends well...




Pictures provided by Abdoulaye LY

Commentaires

Posts les plus consultés de ce blog

BOOK REVIEW: Irene Gaouda’s « The Enticing Legend of the Massa Warriors »

By Douglas ACHINGALE  When I first set eyes on a copy of "The Enticing Legend of the Massa Warriors", I thought the author had employed the word “enticing” simply to pull a fast one on the reader. But I was mistaken. Once I started perusing the work, I noticed that the lines were so luscious as to warrant me to get the very last page before I could drop it.  The first thing that glues the reader to the book is not so much the alluring front cover page picture of a female warrior on horseback as the epilogue which is a quote from one of the works of Africa’s all-time best storyteller, Chinua Achebe . It reads: “ I believe in the complexity of human story, and that there’s no way you can telle that story in one way and say, “this is “. Always there will be someone who can tell it differently depending on where they are standing… this is the way the world’s stories should be told: from many different perspectives ”. Douglas Achingale, right, during the book lunch. ...

Angèle Etoundi Essamba: 30 ans derrière l’objectif

Des tableaux de l’artiste camerounaise en exposition-vente jusqu’au 20 mars 2016, au musée Théodore Monod de Dakar. Sur le sol, à l’entrée de la salle d’exposition, une petite flèche invite au voyage. Nous sommes au musée Théodore Monod (ex Institut fondamental d’Afrique noire, Ifan), au quartier Dakar-plateau, non loin de l’Assemblée nationale. Il est un peu plus de 15 heures, samedi 27 février 2016. Juste à l’aile gauche du hall d’accueil, un guide : Dieudonné Demba, dont la présence en ces lieux n’est pas anodine. « Le voyage est long. Il débute ici au rez-de-chaussée, se poursuit via les escaliers pour prendre fin à la salle supérieure » . Voilà qui nous plonge illico dans le vif du sujet : la femme, mère de l’humanité, véritable architecte qui s’offre au visiteur sous toutes ses coutures. Ici, des piroguières se livrent à une partie de pêche, là, une femme se meut autour d’une bicyclette transportant des bidons d’eau, plus loin, une autre s’abreuve à la source de vie. Ce...

Bienvenue à Toubab Dialaw !

(Crédit): Narciz Diaz Pujol Au sud de Dakar, entre Bargny et Popenguine, une bourgade promène le voyageur le long de la Petite-Côte. Ici, tous les guides touristiques racontent qu’un certain El Hadj Omar Tall, figure inspiratrice des « Toucouleurs » aurait fait jaillir sur les plages, une source d’eau aux vertus mystérieuses. Jeudi 24 novembre 2016, au cours d’une visite de travail dans la localité, sous l’initiative de Raw Material Company , nous avons voulu aiguiser notre curiosité. Toutesfois, dans les artères du village, personne ou presque, n’a jamais vu ce personnage mythique. Quid de la source aux vertus mystérieuses ? Toujours est-il que tous y croient. Tout simplement. Et se laissent bercer par cette fable qui a traversé des générations de « Dialawois ». Germaine Acogny: Je danse donc je suis... Germaine Acogny  C’est ici au bord de l’océan atlantique, loin du tintamarre de la capitale sénégalaise que Germaine Acogny et Helmut Vogt ont posé leurs v...